影を残して、時は去る
Time Files Over Us But Leaves Its Shadow Behind
25Nov-24Dec @tokyoartsandspace
「影を残して、時は去る」
Arts Collectiveは、アジアのアーティストたちによる「時間」を媒介とした空間や場所への観察を示す映像作品群を、アジア各地のさまざまな場所に焦点を当てながら紹介します。
会期：11/25(土) - 12/24(日)
休館日：月曜日
時間：11:00-19:00
入場料：無料
会場：トーキョーアーツアンドスペース本郷
キュレーター：アンドレ・チャン、チョン・チンイン
アーティスト：チャン・ティントン、マーク・チュン、コウ・シントン、パン・イーシュアン、ティン・ミンウェイ
詳細はプロフィールリンク @tokyoartsandspace からご覧ください。
https://www.tokyoartsandspace.jp/archive/exhibition/2023/20231125-7250.html
【#TOKASHongo】 OPEN SITE 8 | Arts Collective “Time Flies Over Us But Leaves Its Shadow Behind”
Arts Collective will intoduce video works by Asian artists that use time as a medium to show their observation of spaces and places.
Period: 11/25 (Sat) - 12/24 (Sun)
Closed: Mondays
Time: 11:00-19:00
Admission: Free
Venue: Tokyo Arts and Space Hongo
Curators: André CHAN, Chin-Yin CHONG
Artists: CHANG Ting-Tong, Mark CHUNG, KO Sin Tung, PENG Yi-Hsuan, TING Min-Wei
For Further details, see our website via @tokyoartsandspace .
https://www.tokyoartsandspace.jp/en/archive/exhibition/2023/20231125-7250.html
@artscollective_hk
【#TOKASHongo】 OPEN SITE 8 | Arts Collective “Time Flies Over Us But Leaves Its Shadow Behind” Online Talk
The Curators' Tour on 12/23 (Sat) has been changed to an Online Talk. (*Available in English / Booking required)
[Online Talk]
Date: 12/23 (Sat) 15:00-
Curators: André CHAN, Chin-Yin CHONG
Speakers: OSAKA Koichiro (ASAKUSA), Peng Yi-Hsuen
Register: Please register via the booking form on TOKAS Website.
https://www.tokyoartsandspace.jp/en/archive/exhibition/2023/20231125-7250.html
你過來做乜嘢呀？
What are you up to here?
NewPark 新公園秋冬藝術駐留季 2
Winter Residencies 2
Peng YiHsuan
IG: @jerry79725
11 Nov - 2 Dec 2023
你過來做乜嘢呀？
What are you up to here?
展覽地點：L7-23 (JCCAC)30 Pak Tin Street, Shek Kip Mei, Kln.
藝術家分享會：11/30 19:00-20:00
展覽時間：11/30-12/2 16:00-20:00
你過來做什麼？
每個許久不見的香港朋友，遇到我的第一個問句。
帶著身份，不管是節點、土星、朋友、個人也好，阿南只是想試試看這樣的駐留方法的可能性，在25天的短暫駐留創作，並非像是機構一般的對應方法，它有更多的狀態是人與人關係的回看跟逐一緩慢的成為。
節點五年期間，許多香港藝術創作者、表演者、組織、團隊都曾經產生短暫的駐留及與節點建立交流。在疫情後逐一開放邊境後，我與南再次於台南相見並討論駐留創作交流的可能性，即便我們各自都有相關的工作及事業在積極的進行，在快節奏的駐留創作時段裡，我在乎的更是重新建立起曾經在台灣遇到的香港朋友，並了解他們現在的狀態是什麼。
香港在這個月份是展覽活動爆炸的一個月，許多開幕、展覽不斷的出現，也可以感覺到香港在快節奏中一見到人就可以聊不停，可能因為許久不見，創作者之間其實也就是在講述自己最近的事情，這也是生活的一部分，哪裡都是一樣的，其實是聊藝術但同時也是聊生活。
此次於「新公園 New Park 」駐留成果的部分，主要會講述我在這邊到底在做什麼，以及怎麼逐一緩慢的重新建立及重新交流。
What are you doing here?
This is the first question I get from every Hong Kong friend that I haven't seen for a long time.
With an identity, be it Zit Dim art space, Tu Xing Studio, friend, or an individual, South Ho just wants to try to see the possibilities of such a residency method, a short residency in 25 days of work, not like an organization's general response method, which has more states of people's relationship with each other to look back and slowly become one by one.
During the five years of Zit Dim art space, many Hong Kong art creators, performers, organizations and teams have had short-term residencies and established communication with Zit Dim art space. After the opening of the borders one by one in the post-epidemic period, South and I met again in Tainan to discuss the possibility of a residency and exchange, and even though we each have our own work and careers in progress, what I cared about during the fast-paced residency was re-establishing my Hong Kong friends that I had met in Taiwan, and understanding what their current status was.
Hong Kong has been a month of exploding exhibitions, with many openings and exhibitions, and I can also feel that Hong Kong's fast-paced atmosphere allows us to talk non-stop when we meet people. Perhaps because we haven't seen each other for a long time, the artists are actually telling each other about their own recent events, which is also part of their lives, and this is the same anywhere, in fact, it's a way of talking about art, but at the same time it's also a way of talking about their lives.
This time, in the "New Park" residency, I will mainly talk about what I am doing here, and how to slowly re-establish and re-communicate one by one.
雨夾雪 Rain and Snow Mixed
媒材：下雪燈，掛鈎
尺寸：依場地而定
2023
整件作品做的部分就是將原本的聖誕節角色、物體切除，留下底座。
下雪燈形式配合即將到來的聖誕節應景到不行，切除後便產生的缺席，
如同一個油燈、路燈的粗糙造型，有點像是西方銅製材料的外觀，質地卻是輕輕的塑膠，連如同玻璃球般的表面，其實也只是透明寶特瓶的材料，裡面的水有加入一種油油的潤華液，讓銀色碎片在這個不大的空間與水的擾動產生飄逸的動態。 這裡只有值得誇獎的是馬達螺旋槳是透過磁鐵進行旋轉的。
我其實在做的事情就只是拆解，透過拆解這個裝飾物，重新理解其結構所產生的功能性，以及想知道裡面會是什麼的狀態，透過拆解、去除、重組，改變凝視的對象，或著說重啟凝視它。
The whole piece is made by removing the original Christmas characters and objects, leaving the pedestal.The form of the snowy light is a perfect fit for the upcoming Christmas season, and the absence of the light is created after the removal of the light.
The appearance is somewhat like a western copper material, but the texture is light plastic. Even the surface like a glass ball is in fact only a transparent bottle material, with an oily lubricant added to the water inside, allowing the silver fragments to float in the not-so-large space with the disturbance of the water to create a floating dynamic. The only thing worth mentioning here is that the propeller of the motor is rotated by magnets.
What I am actually doing is just disassembling, through disassembling this object of decoration, to re-understand the functionality of its structure, and to wonder what the state of affairs inside is, through disassembling, removing and reassembling, to change the object of gaze, or rather, to reopen the gaze on it.
駐村創作過程及成果發表